Movement
When shooting a scene there are many important factors to take into consideration. Is this going to be a still shot? Or am I going to choose to put movement into it. --> Story lead moving, following the action –-> narrative or story lead decision to add movement to the shot.
Pan = side of side, left to right (the way we read) right to left (deliberate to unsettle the audience)
Tilt = up and down camera, to follow or disorientation, good for Point of View shots-helps get a message across and could be male looking at female or female looking at female.
Track/dolly/steadicam = fixed on a track to smoothly follow and predictable or unpredictable action.
Zoom/reverse zoom = when a camera gets closer/moves away from movement quickly, suggesting surveillance, voyeurism and intense observation: to focus the audience on something in particular. This creates tension and dramatic irony.
Position
The distance between the camera and the subject = the position selected relates to the information the filmmaker is trying to communicate.
Depth of Field = the focal length. When everything is sharp, it is deep focus = clear contest and intent meaning
Selective focus is when you only take one little part of focus on
Focus pull – the focus changes from one thing to another
Which shot are we going to use, how close, what depth of field, what should the focus be, every time one positions a camera, one has a lot to think about-nothing should be happening by chance or accident: this must all create meaning.
Editing
Putting one scene or frame next to another, which creates meaning as we go along-continuity and putting a story together – or by contrasting things, can also create meaning.
Shot duration = how long a shot is going to be open, how long is the shot going to last – usually affect the narrative context. Longer shots of people talking = more of a narrative, dramatic, emotions and romance.
Transition of shot:
Fade to black
Dissolve/cross fade
Wipe
Lengthen or shorten a shot by over or under cranking
Over = speed up the camera, so that everything is slower
Under crank = slows camera, everything is sped up
Continuity
180-degree rule!
30 degree rule which means when you cut and move a camera, you should always move more than 30 degrees otherwise it creates an awkward jump cut-this doesn’t feel right.
Continuity Editing
When cutting on action and movement becomes important to ensure that edits are invisible and images appear to flow in a continuous fashion.